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Post-Modern American Honor by B.R. Merrick
August 28, 2009 James
Bowman is a stereotypical modern-day conservative.
The only exception is that he’s not only very smart, but his take
on mass media and present-day culture is thought-provoking and poignant.
I very much enjoy reading his movie reviews.
He’s definitely a throw-back to a previous era.
One of the main ideas with which he is concerned is the loss in
today’s culture of what is generally referred to as “honor.”
If I understand the essence of his argument, the loss of an ancient
phenomenon such as honor corresponds to the degradation of modern living,
and the emasculation of men. Furthermore,
honor is not defined in purely righteous terms, but is instead oftentimes,
and most certainly in “post-modern” times, associated with attitude,
reputation, or what could be considered a façade. Therefore, this
phenomenon can be exhibited by both God-fearing Christians and street
thugs. He even goes so far as
to say, “Honor is not one among the other virtues,” and that it has
the tendency to be “hypocritical.”
In fact, there is so much of this in his many
other articles on honor, that the reader begins to wonder whether such
a phenomenon is good, right, or necessary any longer. Until
I encountered Bowman’s writings on the subject, I had always thought
that honor, having the same Latin root as “honesty,” was about
something more than just saving face among the clan to which one belongs.
I’ve always seen it the way it is portrayed in “The
Lord of the Rings” trilogy, where at the end of the first film,
Samwise tells Frodo that he made a promise to look after him, and he
intends to keep it. Honor was
as simple as that. It is
because of the influence of this phenomenon in the story that Bowman reluctantly
gave the movie a higher rating
(one star out of a possible two) than he originally did (no stars).
The best part of the film, in my opinion, has to do with
unquestioning loyalty and trust, aspects of honor for which Bowman
grieves. After Sam and Frodo
encounter Merry and Pippin, they are sought after by one of the
Ringwraiths. As they make a
quick escape, Frodo tells Merry, “I have to leave the Shire.
Sam and I must get to Bree.”
It is in this moment that the viewer learns everything he needs to
know about Merry, and about whatever inherent virtue there is in honor.
With hardly a thought about the strangeness of what has just
transpired, about Frodo’s cryptic plea, or about any future dangers that
might follow from providing Frodo and Sam with assistance, the camera
closes in on Merry’s thoughtful face as he calmly replies, “Right.
Bucklebury Ferry. Follow
me.” This is a moment of
pure gold, and I’m glad to see that it forces an old codger like Bowman
to admit there’s more to the film than outstanding visual sweep and
technical brilliance. But
Bowman is also correct that we live in a culture that no longer
understands this phenomenon, nor celebrates it.
He also points out that much of the rest of the world persists in
ancient honor cultures. It is
one of these cultures of lost honor against which the government of the I
don’t know much about post-modernism,
other than that it is mostly used these days to describe the
“unprincipled” Left: feminism, nihilism, hippies, black supremacy,
queer theory, etc.; in other words, everything Bowman despises about his
own generation. Having come
from a conservative background like Bowman, I understand to a much greater
degree the significance and importance placed upon tradition and heritage.
To Bowman and other conservatives, honor would appear to be
something we ought not to lose, for no other reason than that we’ve
always had it, in one form or another.
It may also be his belief that we can’t actually dispense with
this phenomenon, as it is perhaps ingrained in our physiology somehow,
that honor is something that separates us from all else in the animal
kingdom. Therefore, if we
ignore it, or refuse to recognize our innate possession of it, we will be
unable to direct it in the proper fashion, and at some point in American
history, we may see families slaughtering women for minor sexual offences,
something that still happens to this day in other parts of the world.
Post-modernism, in the nihilist sense of the term, doesn’t
recognize honor as having any value, because nothing, including
post-modernism, has any value either.
There is indeed danger in nihilist thought. There
is also danger, and a considerable amount at that, in Bowman’s views of
honor, however. Just read “The
Worth of National Honor” to understand what I mean.
At some point, to Bowman anyway, we owe so much to honor that
“we” should have stopped the debate on the morality of the killing
“we” were about to do (in the First Gulf War) to focus on the honor of
what “we” were doing. If
his argument is taken to its extreme, it is as if he is saying that
“we” need to follow through on “our” word, for the sake of
“our” word. Of course,
when he says “our,” he means “the government,” which, naturally,
he expects us all to support. Reflect
for a while on the nature of what transpired in those few months in the This
is what honor, be it socially invented or biologically induced, routinely
does. (Think of the absurdity
of a duel, usually brought about by nothing more than an insult.)
If Captain Lewis had had the capacity to think more critically
beforehand; if he had displayed that ability early in life; if his mother
and father had encouraged that, along with the importance of being honest
and cultivating a love of truth; if all the men who were assigned to fly
that day had “honored” their abilities to question authority and
challenge information given to them, to apply their innate abilities for
rational thought; then perhaps the war would have ended sooner, or never
involved the United States at all. Instead,
the more pathetic conception of honor, tied to old traditions of
meritorious advancement, romanticization of violence, a strange,
American-Christian God who frequently gives
sanction to war, and unquestioning socially dictated behavior,
produced men who could listen intently to another man who informed them,
“We think [the bomb you’ll drop] will knock out almost everything
within a three-mile area,” and continue with their plans to do just
that. The Japs had it coming,
you see. Besides, our honor
was at stake. Ten paces,
gentlemen. In
the balance of such bloody nonsense, regurgitated for future generations
to digest, is the future of the human race.
Lewis’s complicit behavior in dropping that bomb did more than
“knock out almost everything within a three-mile area.”
It altered human history, and mostly for the worse.
The only bright spot is that it forced much of humanity out of part
of its stupor of conventional honor. It
made us question, in a way so many did after the First World War, what the
hell they were doing. That
question is a good ten times more important in my mind than any question
of honor. When
writers and thinkers like Bowman ruminate on The Great War, they merely
lament the unfortunate effect it had on the idea of honor in Western
culture. Perhaps the final
meaning of World War I is that man’s technological ability to wage war
has finally outstripped man’s ability to honorably wage it at all.
In much the same way that mass, instant, global, digital
communication has shrunk the world and aided us in seeing the essential
humanity in every human face and the
fact that this humanity existed long before to our ability to grasp it,
technology in its most horrendous forms has shown us what we ought not to
do to one another and what we always
ought not to have done. The
one who for centuries kept telling millions in the Western World not
to do it was ignored, right up until the moment that it became impossible
to follow the admonition, in the advance of a hideous yellow cloud that
turned men’s bodies into torture
chambers: “Love one another.”
Bowman himself admits that Jesus was challenging the honor culture
built up in ancient Judaism. Since
this is the guy Bowman worships, you would think our shared knowledge of
the increasingly torturous and shockingly instantaneous instruments of
war, coupled with God’s word, would be enough to reassess the need for
honor, or what honor should have been about all along. If
honor cannot contend with the truth we are learning about our obsession
with using force and violence on our enemies, the only way for it to save
face is to bow out gracefully, forever.
If we as a culture do not learn to honor love, freedom, peace, and
truth above all else, then I doubt it will matter very much what we do
honor, if we honor anything at all. I would urge Bowman to go back and watch “The Lord of the Rings,” only this time, sit through the entire trilogy. He would see that the only truly honorable actions were performed by those who did their part in helping to destroy The Ring, the symbol of power, or the desire and ability to use force and violence to control the outcome. Perhaps there’s hope when an intellectual like Bowman, who normally despises such Hollywood flummery, can see through it to find the hidden jewel of honor, and perhaps in the future he’ll see the inherent good in putting away any further ideas of honorably waging war. Perhaps someday there will be another Captain Robert Lewis who has the courage to eliminate the “we,” and ask himself, “My God, what have I done?”, and to do so before the atrocity is committed. Perhaps that day is sooner than we think. B.R.
Merrick lives in the Northeast, is
proud to be a classical music reviewer
at Amazon.com
and iTunes, and in spite of the poisonous nature of television, God
Himself will have to pry his DVDs of “Monty Python’s Flying
Circus” out of his cold, dead hands, under threat of eternal damnation.
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