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Minerva, Chapter 22 by Bob Murphy “It’s
okay David,” “You
feel better, tiger?” O’Toole asked.
Danny nodded, his head still buried in O’Toole’s shirt. “Now
Danny, I want you to listen to me,” O’Toole said.
He gently pushed his son’s shoulders and tilted his head up to
face his own. Danny wiped his
snot-filled nose with an arm. “Everything
turned out O.K. today, and your mother and I are very glad that no one was
hurt. But next time, if you
ever find yourself in that situation, give
up your money. Don’t
ever fight someone over something as stupid as your wallet.
As you get older, you’ll see that the easiest thing in the world
is making money. All you need
to do is open your eyes, and you’ll see nine different ways to become
rich. But if someone hurts
you, or worse, no amount of money can take that back.” Danny
nodded his head, but then burst back into tears.
O’Toole let him bury his head once again in his father’s soiled
shirt. Especially
in light of the day’s events, O’Toole was more confident than ever in
his position regarding the family’s money:
O’Toole felt that they should donate the great bulk of it, and publicly.
Especially if Danny ended up going abroad to study, O’Toole felt
it was imperative to eliminate the appeal to kidnappers.
“I
don’t know why you would think that, David,” “Oh,”
Mason said, stunned. “I
suppose I just thought that you viewed me as . . . crazy.” “Why?” “Well,
your review of my book . . . .” “Oh,
that?” “Really?”
Mason asked. “Of
course. You have a lovely
mind, David. I couldn’t
write the sorts of things that you do.
Not that I’d necessarily want
to, mind you.” “Well,
I never realized that,” Mason admitted.
“You know, I feel the same way about your work.
I couldn’t write the way you do, and often I wish I could.” “Oh
David,” “I’m
not talking about your recent work,” Mason said, without irony.
“Back when you wrote for the Verdict.
That was genuinely brilliant writing.” “And
I must tell you,” Mason continued, “the most amazing play I have ever
seen, was a low-budget production in the Village, and written by a young
Tara McClare.” “Which
one?” “I
don’t remember the name, but it concerned the crucifixion of Jesus.” “Oh,
Trial by Jury,” “Yes,”
Mason recalled. “It was
unbelievably bold, the way you tricked the audience.
At the climax, I looked around me, and just about everyone was
shouting, ‘Crucify him!’ at the top of his lungs.
And they weren’t only shouting it . . . they were really angry at the arrogant man. They
wanted him to pay for his
self-righteousness. I’ve
never seen anything like it.” *
* *
“Again,
I cannot express to you how sorry I am for this,” Mason said as they
waited for the elevator. “David,
it’s okay,” O’Toole reassured him.
“Say, anyone know what time it is?
Oh! You’ve got a
watch.” Mason
smiled. O’Toole was a
genuinely decent human being. “Guess
what?” she asked. “What?” “David
said that he thought one of my college plays was the most amazing one
he’d ever seen.” As she
said this, “No
kidding,” O’Toole answered. “I’m
going to check on Danny.” O’Toole tried not to sulk as he climbed the stairs. He constantly praised Tara’s work, yet she had always pooh poohed his compliments and pointed out the flaws in whatever she had written. O’Toole had always thought this was because Tara was a perfectionist, but now he realized it was simply that she didn’t consider him a very good judge of talent. discuss this column in the forum Bob Murphy has a Ph.D. in economics from New York University. He is the author of Chaos Theory and has a personal website. |