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Black Walls, Barricades and Tombs What the Architecture of Empire Building Looks Like Nations are possessed with an insane ambition to perpetuate the memory of themselves by the amount of hammered stone they leave. What if equal pains were taken to smooth and polish their manners? One piece of good sense would be more memorable than a monument as high as the moon. ~ Henry David Thoreau
Most
soldiers withdraw into a quiet, secret place
when asked to shoulder the heavy lifting, a
personal stronghold where a shred of decency
is not altogether discarded for
vengeance or sadism. Others slip into
a clever disguise as a good
soldier while serving a code of
self-preservation. The worst of the
lot--the happy maggots of war--those who
glory in the first-hand death and stench of
decay share far less blame than
the architects of war who send soldiers
out to plunder and seize control from a
position of safety and comfort. Young soldiers, far from home and caught in the crossfire between brutality and empty words, blindly follow the blueprints of empire building, designed by distant architects whose only monuments are black walls, barricades and tombs. The monuments that young soldiers leave behind are wives and children who remember them at their purest and finest forever, without the scarring and cynicism of war. They leave behind other poignant reminders--indictments to be more exact---hundreds of heartfelt objects that were torn from their grasp by those who sent them out to lay the foundation stones of their graves. The living might learn from the dead; they only need look at their memorials. But that would require wisdom on the part of architects and war planners, plus a little foresight from citizen soldiers fresh from the aisles of Home Depot suddenly dumped among resentful Iraqis. "As an ex-soldier," said Canadian journalist Scott Taylor, "I can say that their lack of knowledge of the local culture was shocking. These guys are young, scared, frustrated, and clearly weren't briefed to cope with the "post-war" challenges of dealing with the locals. The heat is getting to them, they don't go out, and there are anti-American slogans on all the walls. The Iraqis are proving to be a tough crowd." We teach neither war nor peace in American schools, but if we did, a little-known book would be required reading. A Time To Love and a Time to Die is the story of a German soldier in World War II who returns home to find his house bombed and his family missing. From the soldier's perspective, the book allows the reader to identify with the "enemy." Terrorism is then revealed by a quick glance in the mirror, an over-used term to goad us to war, employed by those adept in designing black walls, barricades and tombs.
Is this
a fence, a fortress or a wall? No,
it's a Separation Barrier,
the latest,
crazy idea in creative nation-building
from our ally, Israel. Paid for
partially with American taxpayer dollars,
the monolith pictured here rises 25 feet
high and stretches over 400 miles, and is
dubbed the "Apartheid Wall" or
"Berlin Wall" by
Palestinians. Barricaded within
these so-called security fences--actually
open air prisons and stockades--built by the
same blind guides who serve as our mentors
in Iraq, the dispossessed are
"contained," as we shall contain
the Iraqis. (This US-subsidized Palestinian
wall is twice as high and four times
longer than the odious Berlin wall, which President
Reagan considered an affront to freedom when
he bellowed to the Russian communists,
"Tear
down this wall!") Our luckless US soldiers--as bricklayers in the architecture of empire--will rue the day they ever got suckered into the role of overseers in the Judean plantation formerly known as the cradle of civilization but now mostly a poisoned mockery of Eden. Truly the legacy we leave behind will also be one many of our soldiers--ironically--carry home with them: be it a black scar across the reputation of America or a deformed baby of their own--like the sad little child picture here--a testimony of their own genetic miasma. Already many US veterans report deformed offspring, sadly twisted little sons and daughters, deformed at birth due to exposure to depleted uranium in Iraq. The legacy of a poisoned empire should settle squarely onto the cowardly shoulders of those who drew up the blueprints: self-righteous Christians, Clintonite apologists and Bush Judeocons responsible for these monstrous sins against God and Nature. And so this then is their legacy: to share not in a Resurrection (unless it be of the damned) nor credit for any rebirth of the American Republic, but of a fate resembling that found in Ozymandias' Tomb, where "the lone and level sands stretch far away." discuss this column in the forum Douglas Herman, essayist and U.S. veteran, writes regularly for STR.
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